I saw Dialogical Abrasion by Yves Netzhammer at the Liverpool Biennial last year. It was probably one of my favourite pieces from the whole festival. I know it was last year and I probably should have blogged about it earlier but there you go.
The piece was a site-specific sculptural installation. It felt almost labyrinth like, unnerving and unsettling. Familiar objects suddenly became unfamiliar and strange. The immersive atmosphere completely overwhelming my senses…
If you ever have a chance to experience his work, you should!
In an effort to garner some inspiration for a series of prints (that will also be transferred onto t-shirts) I’ve been mooching through one of my favourite books; Collage: Assembling Contemporary Art.
It’s a great book for anyone interested in Contemporary Art and Collage, so check it out if you can.
It’s got plenty of artists and examples of their work, but I’d totally forgotten about an artist who was a massive inspiration for my practice when I was at uni. THOMAS DEMAND creates highly technical and elaborate architectural locations and interior structures – using just paper and card. Often creating the illusion of reality, (since his work is made, photographed and then destroyed) meaning the viewer can only see each piece as a photograph.
There is a juxtaposition of mundanity and the uncanny which creates an unsettled reading of the image. The 3D model/structure becomes flat, a plane, an image of a place that was built intentionally to be seen in 2D. It is this denial that makes the viewer aware of a ‘set’; the photograph offers the viewer an answer to what they see as an ‘uncertain reality’, allowing them into the image and a chance to pull apart the illusion.
Can’t believe I’ve had my blog going for so long and not posted anything by Jenny Holzer. ‘Overdue’ is most definitely the word.
Whilst on the subject of words – I have a list of my favourites up at WORDNIK. ‘Overdue’ has just been added. You can follow them on Twitter too for daily words and the like. AND whilst now on the subject of Twitter, you can also follow HOLZER. Excellent!