Working on this pink building in red ink. Haven’t decided what to draw over the ink with but maybe charcoal.
manchester
Open Fragment – Exhibition
I am pleased to have my piece ‘A Genuine Sense of Arrival’ included in Open Fragment, an exhibition online curated by Pragmata Collective.
“What are fragments? What is it that gives them such high value? (…) To what extent can they be regarded, though fragments, as whole?”
(Schelel)
Click here to enter the Open Fragment online exhibition.
The exhibition asks questions about inclusivity, empathy, connection, and value in art and exhibiting. Open Fragment is about experimenting with the chance outcome of the interconnectedness of the internet open call. It is about how we utilise the amorphous space of an online platform, in that its tentacles reach out through the millions of wifi hubs around the globe with varying speeds and varying accessibility.
Coming from all over the world, the artworks are exhibited in the pink, virtual forest where the visitors encounter these images on a tree, a bush, a rock.
A Genuine Sense of Arrival, January 2021.
130 g/m2 acid free cartridge paper, water-based pigment ink, solvent-based pigment, neon pink paper, graphite. January, 2021.
Pen and ink drawings
I’m working on some large scale architectural drawings using pen and ink. I lightly drew the shape out, painted on layers of red ink to show shadow and now I’m working into the piece with pen.
Elegant Presence, August 2020.
130 g/m2 acid free cartridge paper, water-based pigment ink, neon yellow paper. August, 2020.
Monica Bonvicini
Passage
Mixed media (ply, treated pine, gas mask) installation, September 27, 2013
